Cult film ‘The Third Man’ lives on in Vienna tours

October 20th, 2009

Sachertorte. Magnificent palaces. Splendid museums. When Phillip Kalantirsky had his fill of Vienna the Opulent, he stayed on for a taste of Vienna Noir — in a walking tour built around the cult film “The Third Man.”

“I’m obsessed with the movie,” the 37-year-old lawyer from New York said on a recent afternoon as he and his wife waited for the tour to start. “Most old films are very dated, you don’t buy into them. ‘The Third Man’ is different.”

Kalantirsky’s fascination with the film — set and partly shot in postwar Vienna — is shared by many. Six decades after “The Third Man” premiered in London in September 1949, tourists from around the world pound the Austrian capital’s pavements — and even slip into its sewers — to see where the much-acclaimed motion picture was set. Fans can choose from the walking tour or the underground tour, visit a museum devoted to the movie, or even watch it in a theater.

Starring Orson Welles, the film tells the story of Holly Martins, a naive and broke American writer who investigates what appears to be the mysterious death of his old friend, Harry Lime, in a Vienna replete with rubble and racketeers, divided into zones run by the Western allies and the Soviet Union. Before long, he discovers that Lime is not dead but rather wrapped up in the trafficking of stolen, diluted penicillin, a scheme that has crippled and killed children.

Based on a screenplay by Graham Greene and directed by Carol Reed, the film is set to haunting Viennese zither music that’s instantly familiar yet also unsettling — the perfect accompaniment for film noir.

While “The Third Man” won an Oscar and grand prize of the Cannes Film Festival, it was less of a hit in Vienna, with locals unappreciative of the portrayal of the city’s residents as grasping and cowardly. But with “The Third Man” wildly popular elsewhere, the Austrian capital now offers an array of attractions based on the movie. Hard money training

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