Posts Tagged ‘austrian’

Austrian Beer Fest: Get Your Lederhosen On Wednesday, July 14th, 2010

Sleepy Austrian village wakes up with annual beer fest, complete with dirndls and oom-pah-pah.

Dirndls, lederhosen, an oom-pah-pah band and beer: It doesn’t get more traditional than this when the sleepy Austrian village of Altaussee wakes up for a nonstop beer party, Sept. 4-6.

The annual three-day beer fest is sometimes described as a more intimate and less commercial version of Germany’s Oktoberfest. It marks its 50th anniversary this year in Altaussee, a quaint hamlet located 186 miles (300 kilometers) west of Vienna.

Showing up in traditional garb is a must. So if you’ve ever wanted to don an Austrian dirndl or lounge around in lederhosen and knee socks for a few days — this is your chance.

Organized by the local fire department, the annual beer fest draws both droves of locals and a large crowd from the Austrian capital.

It was with one of these Viennese groups that I decided to make the trip last year.

Within minutes of our arrival, the owner of the inn we stayed at welcomed us with a hearty “Griass eich!” (an informal greeting in the local dialect). We had entered another world where talk revolved not around politics or the financial crisis but about the strength of the local schnapps.

The epicenter of the event is the so-called beer tent (”Bierzelt” in German) crammed with wooden benches, tables and counters selling sausages, roast chicken and, of course, beer. From a stage in the center, bands pump out “oom-pah-pah” tunes that, in the early hours of Sunday morning, oddly enough included an Austrian rendition of “The Final Countdown.” A small fairground lies to one side the tent, complete with rides and stalls selling sweets and gingerbread hearts.

As the tent fills up to maximum capacity, you might consider securing a spot at the Wirtschaft Altaussee, an inn a stone’s throw away where, as the night wears on, patrons are known to dance on tables to Austrian and German pop songs. Or for a more formal dinner, try the restaurant at the Gasthof zum Hirschen where we spotted Hannes Androsch, a well-known entrepreneur and former Austrian finance minister.

By VERONIKA OLEKSYN

Young women arrive in their traditional Dirndl dresses during a beer fest in Altaussee, Austria, Sept. 7, 2009. Each year at the start of September, the sleepy hamlet of Altaussee about 300 kilometers (186 miles) west of Vienna turns into a nonstop beer fest some describe as the Alpine republic's more intimate and less commercial version of Germany's Oktoberfest.

Young women arrive in their traditional Dirndl dresses during a beer fest in Altaussee, Austria, Sept. 7, 2009. Each year at the start of September, the sleepy hamlet of Altaussee about 300 kilometers (186 miles) west of Vienna turns into a nonstop beer fest some describe as the Alpine republic's more intimate and less commercial version of Germany's Oktoberfest.

Cult film ‘The Third Man’ lives on in Vienna tours Tuesday, October 20th, 2009

Sachertorte. Magnificent palaces. Splendid museums. When Phillip Kalantirsky had his fill of Vienna the Opulent, he stayed on for a taste of Vienna Noir — in a walking tour built around the cult film “The Third Man.”

“I’m obsessed with the movie,” the 37-year-old lawyer from New York said on a recent afternoon as he and his wife waited for the tour to start. “Most old films are very dated, you don’t buy into them. ‘The Third Man’ is different.”

Kalantirsky’s fascination with the film — set and partly shot in postwar Vienna — is shared by many. Six decades after “The Third Man” premiered in London in September 1949, tourists from around the world pound the Austrian capital’s pavements — and even slip into its sewers — to see where the much-acclaimed motion picture was set. Fans can choose from the walking tour or the underground tour, visit a museum devoted to the movie, or even watch it in a theater.

Starring Orson Welles, the film tells the story of Holly Martins, a naive and broke American writer who investigates what appears to be the mysterious death of his old friend, Harry Lime, in a Vienna replete with rubble and racketeers, divided into zones run by the Western allies and the Soviet Union. Before long, he discovers that Lime is not dead but rather wrapped up in the trafficking of stolen, diluted penicillin, a scheme that has crippled and killed children.

Based on a screenplay by Graham Greene and directed by Carol Reed, the film is set to haunting Viennese zither music that’s instantly familiar yet also unsettling — the perfect accompaniment for film noir.

While “The Third Man” won an Oscar and grand prize of the Cannes Film Festival, it was less of a hit in Vienna, with locals unappreciative of the portrayal of the city’s residents as grasping and cowardly. But with “The Third Man” wildly popular elsewhere, the Austrian capital now offers an array of attractions based on the movie. Hard money training